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Excerpts fromLifemanshipStephen Potter |
LIFEMANSHIP PRIMORDIAL IIEXPERT MANAGEMENTCounter Expert I ALWAYS BELIEVE that some kind of ABC of counter expert play is the best grounding for the young Lifeman. Without any special knowledge, without indeed any education whatever, it is possible not only to keep going in conversation, but, sometimes, to throw grave doubts on the value of expert knowledge in general. There is no finer spectacle than the sight of a good Lifeman, so ignorant that he can scarcely spell the simplest word, making an expert look like a fool in his own subject, or at any rate interrupting him in that stupefying flow, breaking the deadly one upness of the man who, say, has really been to Russia, has genuinely taken a course in psychiatry, has actually read history at Oxford, or has written a book on something. A few simple rules, then, for a start. The Canterbury Block We always encourage youngsters to practise as they learn. Why not an easy exercise to warm up? The expert on international relations is talking. He is in full spate. How can he be jolted? (R. Bennetts variant).
A suggestion only. But no matter how wild Lifemans quiet insertion may be, it is enough to create a pause, even a tiny sensation. Nor is the typical Block necessarily complex. The beauty of the best Canterbury is its deadly simplicity, in the hands of an expert. Six words will suffice.
Yes, but not in the South, with slight adjustments, will do for any argument about any place, if not about any person. It is an impossible comment to answer. And for maximum irritation remember, the tone of voice must be plonking. Here, then, we have two forms of what is known as the Canterbury Block. For plonking, see next paragraph.
What is Plonking? If you have nothing to say, or, rather, something extremely stupid and obvious, say it, but in a plonking tone of voice i.e. roundly, but hollowly and dogmatically. It is possible, for instance, to take up and repeat with slight variation, in this tone of voice, the last phrase of the speaker. Thus:
This is the lightest of trips, yet, if properly managed, the tone of voice, will suggest that you can afford to say the obvious thing, because you have approached your conclusion the hard way, through a long apprenticeship of study. Plonking of a kind can be made by the right use of quotation or pretended quotation. (See under Conversationship, p.88.) Here is the rough format:
This is correct quotation plonking (a) because it is not a genuine quotation and (b) because it is meaningless. The Military Expert must either pass it over, smile vaguely, say yes, or in the last resort, I dont quite get... In any case, it stops flow, and suggests that whatever he is saying, you got there first. I was never in Vladivostock These early gambits mastered, the student can begin his study of more advanced expertship. Here is a slightly more complex ploy against the man, always dangerous, who has actually been there. This expert can only be attacked on his own ground. And the basis of attack is to take if possible one foreign place where you have actually been. A convenient one for young British Draftees who have spent their army year in Germany is Munster Lager, transit and demobilization camp, well known to them, but entirely unknown to anybody over the age of twenty-one. Munster Lager is good, because it can be pronounced, by variation, as if it was a placename of any country. The conversation goes like this. Subject, say, Fishing Rights on Russias Eastern Seaboard. The expert coming in to the attack:
Often the Travel Expert is completely shut up by this kind of talk; but it is not for beginners. The clever Lifeman can continue in this vein indefinitely, without ever having to say, or not, that he has been in Asia, or that, in fact, he has not. Go on Talking A very small probe, which yet is not ineffective, has been used by Cogg-Willoughby, who has been fairly successful with a series of counterings from the psychiatrists angle. The expert holds the floor. His audience is submissive. Cogg waits, attentive. Sooner or later the expert will say, But Im talking too much always a prelude to talking still more. Or, What do you think, he may even say, simply.
Cogg was extraordinarily successful with this sequence for a time, and it led him to explore, curiously enough, the field of counter psychiatry. Coggs Anti Psyke, as it came to be called, is not well known, and I have been asked to publish a note on it here. He had two principal tactics, and trained himself to make a spontaneous choice of either. Tactic One, his favourite, was used against direct attack by an accredited psycho-analyst. This would be the shape of the dialogue or at any rate these were the words I noted down when he was set against Krausz Ebenfeld. Imagine, if you can, the thick Slovene accent of the one and the quiet Cambridge tones of Cogg for contrast:
That is very interesting, says Ebenfeld. But he realized he was gambited. Later Cogg even reduced Sophie Harmon, the great lay psychiatrist, to silence.
Sophie keeps her head, but she is ployed, and Cogg knows it, knowing that she never took anatomy. It is easy to bungle Counter Psychiatry, which is of course, a huge subject (see end of this chapter). But it is essential, we now believe, to work at these opening exercises before the more intricate problems are attempted before dealing, that is to say, with the experts in painting and music, politics and philosophy. To murmur exhibitionist or dipus or just to whisper the one word aunt when any rival is in full flow is a fine ploy, equalling Lifemanship at its best.
NOTE. For incest read aunt throughout.
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Stephen Potter, Lifemanship, 1950 |